In 1964, two years before she met John Lennon, Yoko Ono exhibited Cut Piece, one of the earliest works of feminist performance art. For Cut Piece, Ono wore a suit and knelt on stage with only a pair of scissors accompanying her. During the performance, Ono remained still as audience
In this issue, Bishop Naboth Manzongo begins with a reflection on the theme for this Synod, emphasizing that we are one team, Team Rupert’s Land, together. Then, Anil Pinto-Gfroerer explains how the term “coinherence” not only applies to the church but is something to continuously strive for. After this, Obren Amiesimaka reminds us that through Christ, the True Vine, we flourish when we work as individuals, together. Lastly, Donna Royer shares some of her difficulties with and hopes for remaining connected with one another.
